The
Noise Within
by Ian Whates Solaris, 2010, £7.99, 334pp ISBN 978-1-906735-64-7 |
|
This review first appeared in Vector | |
All our
grandmothers have, at
some point during their tenure as family matriarch, told us “If
you can't
say anything nice then don't say anything at all,” but as a
reviewer, not
saying anything at all isn't really an option.
With grandmother in mind I briefly considered
writing simply “I did not
enjoy this book” here, however when your editor asks you for 500 words
it's
considered bad form to offer him just six. So let's
begin with “I did not
enjoy this book,” and then work our way sadly towards the “why nots”
and the
“hows,” pausing only to acknowledge the undoubted time and effort that every
author puts into their books. I did not
enjoy The Noise
Within, despite the back cover blurb initially convincing me
that I very
much would (a psychological effect enhanced by the use of a font and
cover
layout very similar to that used on Iain M. Banks'
novels). The Noise Within employs two
main viewpoint characters and a number of temps.
The first is Boulton, a mercenary with a
unique selling point: he has a gun loaded with various types of mayhem
and,
more importantly, with an artificial intelligence which makes Boulton
very good
indeed at what he does. Kyle is one
of the book's temps,
a bored engineer working onboard a rich passenger ship which is
captured and
boarded by a remarkable pirate spaceship calling itself The Noise Within. The sudden
appearance and enigmatic
behaviour of The Noise Within has created quite a splash in the galaxy;
apparently unstoppable, it pops up seemingly at random to raid the
aforementioned rich passenger ships and inexplicably offer a berth to
one of
their crew. Kyle
accepts The Noise
Within's offer, but it isn't what he expected... The second
main viewpoint
character is billionaire Philip Kaufman, head of Kaufman Industries and
son of
Malcolm Kaufman, inventor of the Kaufman Drive which revolutionised
interstellar travel some years
back. Not only has
Philip learned
something important about The Noise
Within, but his company is also heartbreakingly close to a
tremendous
breakthrough in the field of human-AI interfaces, one which will change
the
world at least as much as his father's invention. The Noise
Within suffers, in my humble opinion, from two main
weaknesses:
the first being that the story is hackneyed, unambitious and could just
as
easily have been written in the 1970s – hell, remove the sex and it
could have
been written in the 1950s. Boulton,
for
just one example, has a powerful AI built into his gun.
The AI tells him where to shoot, when to
shoot and what type of bullets to use when shooting.
That's pretty much all we learn about it, an
omission that for me, a good 25 years after the cyberpunk revolution,
simply
isn't enough - especially since human-AI interfaces are quite a feature
in this
story. The second
weakness is the
standard of the writing. Whilst
some of
the action sequences are engaging and well paced, much of the book's
exposition
is, I'm afraid, desperately below par, consisting of crushingly wooden
infodump
exchanges that read like late-night teletext pages. |
|
Back to top | |
Order it from Amazon.co.uk | |